Provenance Information

With Elie Borowski, Archaeologie Classique et du Proche-Orient, Basel, Switzerland, by May 1970; sold to André Matton (1914–2012), Dannemoine par Tonnerre, Yonne, France, May, 13 1970 [see note 1]; by descent to his son, Patrick Matton, France; sold to Walter Banko Co., Ltd., Montreal, by November 2009; sold to the Yale University Art Gallery, New Haven, Conn., 2010

Note 1: Invoice, Elie Borowski Archaeologie Classique et du Proche-Orient, May 13, 1970, original in accession file

Exhibition Information

N/A

Publication Information

Klaus Fittschen, Prinzenbildnisse Antoninischer Zeit (Mainz: Verlag Philipp von Zabern, 1999).;;Jock Reynolds, "Director's Report: July 1, 2009–June 30, 2010," Yale University Art Gallery Bulletin (2010): 12–13, ill.;;"Acquisitions," Yale University Art Gallery Bulletin: Online Supplement (accessed 2012).

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

N/A

Provenance Information

Fortuna Fine Arts, Ltd., New York, NY, sold to Barbara S. Robinson (2003); Barbara S. Robinson, Cleveland, OH (2003–2023), gifted to the Cleveland Museum of Art (2023)

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

An exception to 1970 can be made for this object because it was expected as a gift or bequest prior to 2008. This is confirmed by a letter from the attorney of Barbara S. Robinson (now in museum files) attesting to Mrs. Robinson’s intent, memorialized in estate planning documents by 2007, to donate her collection of antiquities to the Cleveland Museum of Art following her death. The head adds to the CMA collection of Roman marble idealized sculpture.

Provenance Information

Sotheby’s New York, lot 317, Unsold (December 10, 1999); Swiss Private Collection (by 2000); F.A.C. Kunsthandel (Wolfgang Wilhelm), Frankfurt, Germany, sold to Barbara S. Robinson (2007); Barbara S. Robinson, Cleveland, OH (2007-2023); gifted to the Cleveland Museum of Art (2023)

Exhibition Information

None

Publication Information

Sotheby’s New York, Antiquities and Islamic Works of Art, lot 317 (December 10, 1999).

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

An exception to 1970 can be made for this object because it was expected as a gift or bequest prior to 2008. This is confirmed by a letter from the attorney of Barbara S. Robinson (now in museum files) attesting to Mrs. Robinson’s intent, memorialized in estate planning documents by 2007, to donate her collection of antiquities to the Cleveland Museum of Art following her death. This is the first Roman silver bowl in the CMA, and only the second Roman silver vessel.

Provenance Information

The Merrin Gallery, New York, NY (by 1998); sold to Mrs. Barbara S. Robinson, Cleveland, OH (1998); Barbara S. Robinson, Cleveland, OH (1998-2023); gifted to the Cleveland Museum of Art (2023)

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

An exception to 1970 can be made for this object because it was expected as a gift or bequest prior to 2008. This is confirmed by a letter from the attorney of Barbara S. Robinson (now in museum files) attesting to Mrs. Robinson’s intent, memorialized in estate planning documents by 2007, to donate her collection of antiquities to the Cleveland Museum of Art following her death. The object is an unusual type of bronze vessel not previously represented in the CMA collection.

Provenance Information

Holger von Grawert; F.A.C. Kunsthandel (Wolfgang Wilhelm), Frankfurt, Germany, sold to Mrs. Barbara S. Robinson (2005); Barbara S. Robinson, Cleveland, OH (2005-2023); gifted to the Cleveland Museum of Art (2023)

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

An exception to 1970 can be made for this object because it was expected as a gift or bequest prior to 2008. This is confirmed by a letter from the attorney of Barbara S. Robinson (now in museum files) attesting to Mrs. Robinson’s intent, memorialized in estate planning documents by 2007, to donate her collection of antiquities to the Cleveland Museum of Art following her death. The lamp constitutes a type of Roman luxury object not previously represented in the CMA collection.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2] [1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris. [2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2]

[1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris.

[2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2]

[1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris.

[2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2]

[1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris.

[2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2]

[1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris.

[2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.