Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2] [1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris. [2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2] [1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris. [2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

By 2012, Anonymous Donor, New York; [1] Gift to the Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, September 19, 2012. [2]

[1] Per the donor, the objects were purchased from a variety of dealers in the years 1983-1989. The donor reports that they were purchasing from the following dealers within this time frame, although this cannot be further verified: Jack Ogden, London; Ariadne Galleries, New York; Mele Galleries, New York; Harmer-Rooke Galleries, New York; Pyramide Galleries, Paris.

[2] Information in VMFA Curatorial and Registration files.

Exhibition Information

No information is currently available.

Publication Information

No information is currently available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

The donor of this object acquired a number of works of ancient jewelry and other small objects on the art market between ca. 1983 and ca. 1989. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed and publicized. The works represent a broad sampling of gems, encompassing a representative collection of intaglios spanning the chronology and cultures of the Mediterranean. The donor of this object had made donations to the VMFA since 1982.

Provenance Information

Ron Messick Fine Arts, Santa Fe, New Mexico [date and mode of acquisition unknown]; John G. Bourne, 2000, by purchase; given to Walters Art Museum, 2013.

Exhibition Information

No known exhibitions

Publication Information

Reents-Budet, Dorie. Exploring art of the ancient Americas: The John Bourne Collection. Baltimore: Walters Art Museum, 2012.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

Communications between the Walters Art Museum and the donor of this promised gift began in April 2005.

Provenance Information

Ron Messick Fine Arts, Santa Fe, New Mexico [date and mode of acquisition unknown]; John G. Bourne, 1990s, by purchase; given to Walters Art Museum, 2013.

Exhibition Information

Exploring Art of the Ancient Americas: The John Bourne Collection Gift. The Walters Art Museum, Baltimore; Albuquerque Museum of Art & History; Frist Center for the Visual Arts, Nashville. 2012-2013.

Publication Information

Reents-Budet, Dorie. Exploring art of the ancient Americas: The John Bourne Collection. Baltimore: Walters Art Museum, 2012.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

Communications between the Walters Art Museum and the donor of this promised gift began in April 2005.

Provenance Information

By 1987: Mele Galleries, New York; 1987-2008: Anonymous Donor, New York (Accession Date: November 20, 2008)

Exhibition Information

The works have been on display at VMFA since December of 2010 in the Museum’s Greek, Roman & Hellenistic Galleries.

Publication Information

No information available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

These works have a provenance established to 1987. The donor of these objects acquired a number of works of ancient jewelry on the art market between the late 1970s and ca. 1993. Most are common types for which there is no additional provenance information. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed, and publicized.

Provenance Information

Circa 1985: Pyramide Gallery, Paris; 1985-2009: Anonymous Donor, New York (Accession Date: September 17, 2009)

Exhibition Information

These works have been on display at VMFA since December of 2010 in the Museum’s Greek, Roman & Hellenistic Galleries.

Publication Information

No information available.

Section of the AAMD Guidelines relied upon for the exception to 1970

Cumulative facts and circumstances

Explain why the object fits the exception set forth above

These works have a provenance established to circa 1985. The donor of these objects acquired a number of works of ancient jewelry on the art market between the late 1970s and ca. 1993. Most are common types for which there is no additional provenance information. VMFA decided to make an exception to the AAMD guidelines in order to bring these objects into a free, publicly accessible, educational institution, where they could be studied, displayed, and publicized.

Provenance Information

Ron Messick Fine Arts, Santa Fe, New Mexico [date and mode of acquisition unknown]; John G. Bourne, 1990s, by purchase; Walters Art Museum, 2009, by gift.

Exhibition Information

Art of Ancient America, 1500 B.C.-1400 A.D.. Museum of New Mexico, Santa Fe. 1998-2008.; Exploring Art of the Ancient Americas: The John Bourne Collection Gift. The Walters Art Museum, Baltimore; Albuquerque Museum of Art & History; Frist Center for the Visual Arts, Nashville. 2012-2013.

Publication Information

Reents-Budet, Dorie. Exploring art of the ancient Americas: The John Bourne Collection. Baltimore: Walters Art Museum, 2012.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

Communications between the Walters Art Museum and the donor of this gift began in April 2005.