Provenance Information

c. 1961/before c. 1975 – 2008 collection of Thomas Carroll (b. 1919), Chevy Chase, MD (acquired in Latin America while stationed with the Food and Agriculture Organization, UN (1958-1961) or while working on assignment with the Inter-American Development Bank (1961-1984)); 2008 collection of Herbert F. Johnson Museum of Art, Cornell University, Ithaca (gift of Thomas Carroll)

Exhibition Information

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, A New World: Pre-Columbian Art from the Carroll Collection, March 29 – June 15, 2008

Publication Information

Scott, John F. and Laura Johnson-Kelly. A New World: Pre-Columbian Art from the Carroll Collection [an exh. cat.]. (Ithaca: Herbert F. Johnson Museum of Art, Cornell University, 2008); ref. p. 133, color illus. p. 133, cat. no. 224.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The donor pledged part of his collection, including this object, to the museum prior to 2008, as per correspondence between the donor and the museum dated 2005, on file. The object was acquired by the donor between the 1960s and early 1970s, while stationed in or on assignment to Latin America.

Provenance Information

Estate of Professor Max Loehr (1903-1988). The spearhead was reportedly acquired in Beijing in the 1930s and brought to the United States by Prof. Loehr in 1949.

Exhibition Information

Unknown

Publication Information

Published in J.J. Lally & Co., Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others, New York, 1993, no.111

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Provenance states object was acquired in Beijing in the 1930s and brought to the US in 1949.

Provenance Information

by 1929 Adolphe René Louis Stoclet (1871–1949) and Suzanne Stevens Stoclet (1874–1949), Brussels, Belgium; 1949 Heirs of Adolphe Stoclet and Suzanne Stevens Stoclet, administered by the Société anonyme (SA) "Compagnie immobilière SAS" [Suzanne et Adolphe Stoclet]; 1975 Eskenazi Limited (Giuseppe Eskenazi), London, England, purchased from the heirs of Adolphe Stoclet and Suzanne Stevens Stoclet; 1979
Rare Art, Inc. (Alan S. Hartman), New York, NY, purchased from Eskenazi Limited; 1981 C. C. Johnson Spink (1916–1992) and Edith J. Spink (1921–2011), St. Louis, MO; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

1929, Berlin, Venue Unknown (Versanstaltet von der Gesellschaft fur Ostasiatische Kunst und der Preukischen Akademie der Kunste Berlin)

1935-6, International Exhibition of Chinese Art, London, Royal Academy

Publication Information

Ausstellung Chinesischer Kunst (Berlin: Wurfel Verlag, 1929), catalogue number 3, page 33;

Osvald Siren, A History of Chinese Art (London: Ernest Benn, 1929), plate 27A;

Catalogue of the International Exhibition of Chinese Art, 1935-6 (London: Royal Academy of Arts, 1935), catalogue number 200, page 18;

Christian Deydier, Chinese Bronzes (New York: Rizzoli International Publications, Inc., 1980), catalogue number 7, page 216

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

Kaikodo, New York, NY, USA and Kamakura, Japan;
1998 Edith J. Spink (1921–2011), St. Louis, MO, USA, purchased from Kaikodo; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

Kaikodo Journal (New York: Kaikodo, 1998), catalogue number 37.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

J. J. Lally & Co., New York, NY; 1994 Edith J. Spink (1921–2011), St. Louis, MO, purchased from J. J. Lally & Co.; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

None known.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

J. J. Lally & Co., New York, NY; Edith J. Spink (1921–2011), St. Louis, MO, purchased from J. J. Lally & Co.; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

None known.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

Edith J. Spink (1921–2011), St. Louis, MO; Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

None known.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

Kaikodo, New York, NY; Edith J. Spink (1921–2011), St. Louis, MO, USA, purchased from Kaikodo; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

"A Garden Show," Kaikodo Journal (New York: Kaikodo, 1998), catalogue number 57.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

Kaikodo, New York, NY, USA and Kamakura, Japan;
1997 - 2014 Edith J. Spink (1921–2011), St. Louis, MO, purchased from Kaikodo; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

Kaikodo Journal (New York: Kaikodo, 1997), catalogue no. 66.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.

Provenance Information

Kaikodo, New York, NY, USA and Kamakura, Japan; 1997 - 2014 Edith J. Spink (1921–2011), St. Louis, MO, purchased from Kaikodo; 2014 Saint Louis Art Museum, bequest of Edith J. and C. C. Johnson Spink

Exhibition Information

None known.

Publication Information

None known.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

In a letter dated August 16, 1988, C.C. Johnson Spink wrote to a Hong Kong dealer explaining that his purchase was “destined for the St. Louis Art Museum” and that “the collection…will be given to the Museum at some future date.” This object was part of a collection of 215 works of Chinese or Japanese origin, collected by C. C. Johnson Spink and Edith J. Spink from the 1970s through the 1990s. The Museum formally received the collection by bequest in 2014.