Provenance Information

Unknown owner; sold at auction by Sotheby's New York, New York to Edward and Betty Harris, Chicago, Illinois on May 19, 1987 [documentation in curatorial file]; forty percent interest in the work gifted to the Art Institute of Chicago in 2004; remaining sixty percent interest in the work gifted to the Art Institute of Chicago in 2015.

Exhibition Information

None

Publication Information

Sotheby's, Pre-Columbian Art Auction Catalogue, New York, Tuesday, May 19, 1987, cat. no. 16 (ill. detail of inner rim on front and back cover; full interior with object description).

Christopher B. Donnan and Donna McClelland, "Moche Fineline Painting: Its evolution and Its Artists" (UCLA Fowler Museum of Cultural History, 1999), figure 4.105 (ill.; photograph and line drawings).

Anne Marie Hocquenghem, "Sacrifices and Ceremonial Calendars in Societies of the Central Andes: A Reconsideration" in The Art and Archaeology of the Moche: In Ancient Andean Society of the Peruvian North Coast, edited by S. Bourget and K. Jones (University of Texas Press, 2008), pg. 27, fig. 2.2 (line drawing of detail).

Christopher B. Donnan, "Moche State Religion: A Unifying Force in Moche Political Organization" in New Perspectives on Moche Political Organization, edited by Jeffrey Quilter and Luis Jamie Castillo B. (Dumbarton Oaks, 2010), fig. 12 (line drawing of detail).

Section of the AAMD Guidelines relied upon for the exception to 1970

Partial interest received prior to 2008

Explain why the object fits the exception set forth above

On November 8, 2004, Edward and Betty Harris entered into a written agreement with the Art Institute of Chicago. Under the terms of that agreement, Mr. and Mrs. Harris gave an immediate forty percent interest in the work to the Art Institute of Chicago and promised to give the remaining sixty percent interest in the work to the Art Institute at or before their deaths. Mr. and Mrs. Harris gifted the remaining sixty percent interest in the work to the Art Institute by deed of gift dated December 31, 2015.

The work augments the Art Institute’s permanent collection of Moche objects in its distinctive vessel form, exceptional quality of painted design, and unique narrative presentation of warfare. The Art Institute's Moche collection includes effigy vessels portraying warriors and captives, along with painted vessels that display abbreviated and allegoric references to warfare and human sacrifice. This vessel provides an unusually elucidating visual documentation of Moche warfare, including the preparation, combat, and capture of enemies, which will enhance the Art Institute's ability to explain one of the essential themes of Moche art and culture.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it is a fine example of a “Chinesco” tomb figure from the mountainous Nayarit, West Mexico, testifying that the deceased has accomplished a coming of age ceremony, and attesting to her role in maintaining spiritual connections with the female earth.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it demonstrates a practice in ancient Colima of raising dogs for food; this effigy was intended to accompany the deceased on his otherworld journey to join his ancestors.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it is a fine example of a tomb figure that commemorates the achievements and status of the deceased in the domain of ancestral spirits. This male figure was accompanied by a similar female figure, undoubtedly his wife. The Art Institute of Chicago collection has such an accompanying figure to complete the pair.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it is an example of the most ubiquitous tomb figures from Veracruz; such “smiling” figures with outstretched arms in an orant pose testify to the religious obligations of the deceased.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it demonstrates that in Veracruz, as elsewhere in ancient Mexico, tomb figures testified as to the rank and status of the deceased. In this case, an accomplished warrior is represented complete with armor and headdress.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it demonstrates how tomb figures from West Mexico represent the achievement and status of the deceased. This maternity figure from Ameca, Jalisco affirms her matronly status.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it demonstrates that, as elsewhere in the Americas, the Indians of West Mexico heralded selected animals as clan emblems and wore items of attire signifying their affiliation.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it is an excellent example of a vessel that appears to portray an individual; such figures with deformities depart from the norm, and were regarded as being closer to the supernatural forces and acting as spiritual intermediaries between human society and the deified elements of nature.

Provenance Information

Robert and Marianne Huber, Huber Primitive Arts (Dixon, Ill.), by 1968 [correspondence in curatorial file]; sold to Lester (died 1992) and Rosalyn Olin (died 2013), Chicago, Ill., by 1968; by bequest to the Art Institute, 2014.

Exhibition Information

None

Publication Information

None

Section of the AAMD Guidelines relied upon for the exception to 1970

Informed judgement that works were outside of the country of modern discovery before 1970

Explain why the object fits the exception set forth above

Lester and Rosalyn Olin purchased at least nine objects, including this piece, from Robert + Marianne Huber Fine Arts (Huber Primitive Art). The purchases were made over the course of several years ending in 1968, according to Marianne Huber, the gallery owner. Although Mrs. Huber was unable to locate contemporaneous records of the purchases, she stated in an email to the curator that she recalled selling the objects to Lester Olin before 1967, when she and her family left for an extended trip around the world, and in 1968, after their return in April of that year. The acquisition furthers the representation of the artistic achievements of all civilizations in art museums because it is a fine quality example of one of the most elegant types of Colima redwares. This is an iconic piece for the tradition.