2010.6.127

Object Title
Human Head
Measurements
8 1/4 x 6 1/2 x 5 3/4 in. (20.96 x 16.51 x 14.61 cm)
Creation Date
ca. 900–300 B.C.E.
Credit Line
Gift of SusAnna and Joel B. Grae
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/145188
Provenance Information
Wayne Cancro, Jersey City, N.J, 1981–2004; SusAnna and Joel B. Grae, New York, 2004–2010; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions,” https://artgallery.yale.edu/sites/default/files/files/Pub_Bull_acquisitions_2010.pdf (accessed 2012).
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.421

Object Title
Seated Male Figure
Measurements
17 1/2 x 7 x 6 1/2 in. (44.45 x 17.78 x 16.51 cm)
Creation Date
ca. 200 B.C.E–500 C.E.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84599
Provenance Information
Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 256, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.363

Object Title
Janus Figure
Measurements
26 x 8 x 9 in. (66.04 x 20.32 x 22.86 cm)
Creation Date
ca. 200 B.C.E–500 C.E.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84541
Provenance Information
Possibly Jeremiah Cole, Los Angeles and Atlanta (originally Kankan and Freetown), prior to 2004; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222, 224, ill.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 234, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.362

Object Title
Kneeling Male Figure
Measurements
24 x 8 x 6 in. (60.96 x 20.32 x 15.24 cm)
Creation Date
n.d.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84540
Provenance Information
Possibly Jeremiah Cole, Los Angeles and Atlanta (originally Kankan and Freetown), prior to 2004. Possibly Mourtala Diop, New York and Senegal, prior to 2004; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 234, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.361

Object Title
Kneeling Male Figure
Measurements
25 x 7 x 9 in. (63.5 x 17.78 x 22.86 cm)
Creation Date
n.d.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84539
Provenance Information
Possibly Jeremiah Cole, Los Angeles and Atlanta (originally Kankan and Freetown), prior to 2004. Possibly Mourtala Diop, New York and Senegal, prior to 2004; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 233, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.360

Object Title
Bust of a Human Figure (fragment)
Measurements
14 x 7 x 7 in. (35.56 x 17.78 x 17.78 cm)
Creation Date
n.d.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84538
Provenance Information
Possibly Jeremiah Cole, Los Angeles and Atlanta (originally Kankan and Freetown), prior to 2004. Possibly Mourtala Diop, New York and Senegal, prior to 2004; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 233, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.120

Object Title
Kneeling Human Figure
Measurements
25 1/2 x 8 1/2 x 6 1/2 in. (64.77 x 21.59 x 16.51 cm)
Creation Date
ca. 900–300 B.C.E.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84316
Provenance Information
Possibly Mourtala Diop, New York and Senegal, prior to 2004; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222, 225, ill.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 136, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.119

Object Title
Male Figure
Measurements
20 x 10 x 10 in. (50.8 x 25.4 x 25.4 cm)
Creation Date
n.d.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84315
Provenance Information
Possibly Mourtala Diop, New York and Senegal, prior to 2004; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 73, 135, fig. 16.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.115

Object Title
Female Figure
Measurements
18 x 6 1/2 x 6 in. (45.72 x 16.51 x 15.24 cm)
Creation Date
ca. 900–300 B.C.E.
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84311
Provenance Information
Possibly Mourtala Diop, New York and Senegal; Charles B. Benenson Collection, Greenwich, Conn.; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 133, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.

2006.51.16

Object Title
Pair of Armcuffs
Measurements
5 x 4 5/16 in. (12.7 x 11 cm)
Creation Date
18th century
Credit Line
Charles B. Benenson, B.A. 1933, Collection
Culture
Country of Origin
Object Type
Materials / Techniques
Object URL
https://artgallery.yale.edu/collections/objects/84014
Provenance Information
Dos Winkel. Anuschka & Harvey Menist, Haarlem, Holland, to May 4, 1984; Charles B. Benenson Collection, Greenwich, Conn 1984–2004; Yale University Art Gallery, New Haven, Conn.
Exhibition Information
N/A
Publication Information
“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 90, ill.
Section of the AAMD Guidelines relied upon for the exception to 1970
N/D
Explain why the object fits the exception set forth above
In order to put object into the public domain and facilitate further research.
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