Provenance Information

Collection of Jorge A. Lines (aka Jorge Lines Canalias) [1891-1978], San Jose, Costa Rica. (Stendahl Galleries), Hollywood, CA, by 1971; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, September 1971 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum, 1992

Exhibition Information

"Ancient Treasures of Costa Rica: Art and Archaeology of the Rich Coast." Denver Museum of Natural History, June 23, 1990-May 31, 1991; On display in Museum's Pre-Columbian Galleries, 1997 - 2017

Publication Information

Abel-Vidor, Suzanne, et al. Principales Tipos Ceramicos de la Gran Nicoya. 13 (1/2):35-327. Vinculos. San Jose, Costa Rica: Museo Nacional de Costa Rica. 1987., Lange, Frederick W., ed. Ancient Treasures of Costa Rica: Art and Archaeology of the Rich Coast. Johnson Publishing Co., Boulder, CO. 1990., Lange, Frederick W., ed. Costa Rican Art and Archaology: Essays in Honor of Frederick R. Mayer. University of Colorado, Boulder. 1988.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 1992, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

(Artes des Amériques), Paris, France; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO., October 1973 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum starting 1992

Exhibition Information

"Ancient Treasures of Costa Rica: Art and Archaeology of the Rich Coast." Denver Museum of Natural History, June 23, 1990-May 31, 1991; On display in Museum's Pre-Columbian Galleries, 1997-2017

Publication Information

Abel-Vidor, Suzanne, et al. Principales Tipos Ceramicos de la Gran Nicoya. 13 (1/2):35-327. Vinculos. San Jose, Costa Rica: Museo Nacional de Costa Rica. 1987., Young-Sanchez, Margaret (editor). Nature and Spirit: Ancient Costa Rican Treasures in the Mayer Collection at the Denver Art Museum. Denver Art Museum. 2010.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 1992, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

Collection of Paul Clifford [1915-2003], Atlanta, GA; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO., January 1973 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum starting 1992

Exhibition Information

"Ancient Treasures of Costa Rica: Art and Archaeology of the Rich Coast." Denver Museum of Natural History, June 23, 1990-May 31, 1991., "Time and Technology: Scientific Approaches to Costa Rican Prehistory." University Museum, University of Colorado-Boulder, September 15, 1985-January 26, 1986; On display in Museum's Pre-Columbian Galleries, 1993-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 1992, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

Collection of Amelia Holdings, Inc. ; (Throckmorton Fine Art, Inc.), New York; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, 2001 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum, 2002

Exhibition Information

On display in Museum's Pre-Columbian Galleries, 2005-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 2002, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

(Throckmorton Fine Art, Inc.), New York; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, 2001 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum starting 2002

Exhibition Information

On display in Museum's Pre-Columbian Galleries, 2011-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 2002, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

(Throckmorton Fine Art, Inc.), New York; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, 2001 [1]; Gifted to the Denver Art Museum, 2001
[1] On loan to the Denver Art Museum starting 2002

Exhibition Information

On display in Museum's Pre-Columbian Galleries, 2011-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 2002, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

(Throckmorton Fine Art, Inc.), New York; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, 2001 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum starting 2002

Exhibition Information

On display in Museum's Pre-Columbian Galleries, 2005-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 2002, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

(Throckmorton Fine Art, Inc.), New York; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, 2001 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum, 2002

Exhibition Information

On display in Museum's Pre-Columbian Galleries, 2005-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 2002, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

(Enrique Vargas-Alfaro) [1915-2008], San Jose, Costa Rica and Atlanta, GA; Purchased by Frederick R. [1928-2007] and Jan Mayer, Denver, CO, December 1970 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum starting 1992.

Exhibition Information

"Ancient Treasures of Costa Rica: Art and Archaeology of the Rich Coast." Denver Museum of Natural History, June 23, 1990-May 31, 1991; On display in Museum's Pre-Columbian Galleries, 1993-2007

Publication Information

Lange, Frederick W., ed. Costa Rican Art and Archaology: Essays in Honor of Frederick R. Mayer. University of Colorado, Boulder. 1988.

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 1992, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.

Provenance Information

Collection of Frederick R. [1928-2007] and Jan Mayer, Denver, CO., by 1995 [1]; Gifted to the Denver Art Museum, 2017
[1] On loan to the Denver Art Museum, starting 1995

Exhibition Information

On display in Museum's Pre-Columbian Galleries, 1999 and 2005-2017

Publication Information

None known

Section of the AAMD Guidelines relied upon for the exception to 1970

Gift or bequest expected or on loan prior to 2008

Explain why the object fits the exception set forth above

The Mayer collection of Costa Rican art distinguishes itself from other national and international collections for the depth and breadth of cultural and artistic styles represented therein. Assembled beginning in 1966, the objects represent the developmental arc of Costa Rican ceramics, metallurgy and stone carving and stands as the most comprehensive collection of Central American material culture outside of the region. Mr. and Mrs. Mayer began lending works in this gift to the Denver Art Museum in 1992 and since loan of this work in 1995, it has been on continuous display until 2017 in the Art of the Ancient Americas galleries. This gift complements the collection of Costa Rican material, also gifted by Mr. and Mrs. Mayer with the express purpose that the objects remain together in order for scholars to appreciate fully the development of Central American art, allow work to be put in the public domain, and facilitate further research.